Showing posts with label Michael Chabon. Show all posts
Showing posts with label Michael Chabon. Show all posts

Friday, December 13, 2013

A Supposedly Fun Thing I'll Never Do Again

A Supposedly Fun Thing I'll Never Do AgainA Supposedly Fun Thing I'll Never Do Again by David Foster Wallace
My rating: 4 of 5 stars

This keenly observed series of essays encompasses tennis in Tornado Alley, television's effect on fiction, the films of David Lynch, the Illinois State Fair, and a superbly snide summary of a supposedly fun Caribbean cruise.

If you read nothing else in this collection, read the title essay to see David Foster Wallace (DFW) at his best. "A Supposedly Fun Thing" takes on the cruise industry with hilarious observation. DFW promptly rechristens his ship the Nadir, finds his liberal sensibilities tested by benefiting from the servitude of the cruise staff, wonders at the on-board entertainment, and makes witty and crushing observations about his fellow passengers in his trademark footnotes. He's erudite and clever, and it's easy to see how he earned his towering literary reputation.

In "Getting Away From Already Pretty Much Being Away From It All," DFW turns a supercilious eye toward the Illinois State Fair. His self-consciously acquired distance from his home state is punctured by the refreshing (and too-brief) presence of his foul-mouthed friend, whom he refers to only as Native Companion. His account of a dangerous baton-twirling competition is especially funny and worthwhile, and I think this is the second best of the lot.

"Derivative Sport in Tornado Alley" does what the very best essays do - blend two seemingly disparate topics with panache. You can lose yourself in his virtuoso language, which effortlessly blends ten-dollar words with expletives for humorous effect.

The essay "David Lynch Keeps His Head", which documents the making of Lost Highway, is strongest when DFW steers clear of film criticism (his tastes tend to the obscure and overly arty) and simply details the oddities of a Hollywood movie set (I mostly enjoyed reading about DFW's disdain for actor Balthazar Getty, which seemed pettily personal but in keeping with DFW's writing persona).

I find DFW's East Coast hyper-referentialism and snark sometimes off-putting (the worst offender, "E Unibus Pluram: Television and U.S. Fiction", also feels dated, penned before the cable boom enriched TV and started trends toward more serialized storytelling), but his pose of detachment and gift for ironic observation makes it worthwhile to wade through the pretentious bits. However, I rarely find his worldview as compelling or as deep as his prose.

DFW is at his most powerful when aiming his formidable vocabulary at people and places: his true talent is in describing and classifying people with the precision of an lepidopterist with a flock of butterflies. He is much less interesting when venturing into analyses of art or literature - it's easy to get lost in his school-of-criticism buzzwords and East Coast irony. For essay lovers who are already fans of Annie Dillard's peerless Pilgrim at Tinker Creek, Michael Chabon's Maps and Legends, or Joyce Carol Oates' excellent anthology The Best American Essays of the Century, you shouldn't overlook David Foster Wallace.

So Quotable:

"I had gotten so prescient at using stats, surface, sun, gusts, and a kind of stoic cheer that I was regarded as a physical savant, a medicine boy of wind and heat, and could play just forever, sending back moonballs baroque with spin. Antitoi, uncomplicated from the get-go, hit the everliving shit out of every round object that came within his ambit, aiming always for one of two backcourt corners. He was a Slugger; I was a Slug." - "Derivative Sport in Tornado Alley"

"They made no sense. Houses blew not out but in. Brothels were spared while orphanages next door bought it. Dead cattle were found three miles from their silage without a scratch on them. Tornadoes are omnipotent and obey no law. Force without law has no shape, only tendency and duration." - "Derivative Sport in Tornado Alley"

"Television is the way it is simply because people tend to be extremely similar in their vulgar and prurient and dumb interests and wildly different in their refined and aesthetic and noble interests." - "E Unibus Pluram"

"Indifference is actually just the '90s' version of frugality for U.S. young people: wooed several gorgeous hours a day for nothing but our attention, we regard that attention as our chief commodity, our social capital, and we are loath to fritter it." - "E Unibus Pluram"

"I have seen sucrose beaches and water a very bright blue. I have seen an all-red leisure suit with flared lapels. I have smelled what suntan lotion smells likes spread over 21,000 pounds of hot flesh. I have been addressed as 'Mon' in three different nations. I have watched 500 upscale Americans dance the Electric Slide." - "A Supposedly Fun Thing I'll Never Do Again"

Tuesday, July 9, 2013

Maps and Legends

Maps and LegendsMaps and Legends by Michael Chabon
My rating: 4 of 5 stars

Pulitzer Prize-winning author Michael Chabon writes about genres, comics, fan fiction, tricksters, writing, maps, and golems in this engaging collection of essays.

I'm a sucker for books about books, books about reading, books about writing. So it's no surprise that I thoroughly enjoyed this collection of Chabon's accessible nonfiction essays. Along the way he stops to argue with the scorn heaped on genre fiction, read some comic books, discuss ghost stories and Sherlock Holmes, and talk about a controversial article on Yiddish that was the germ of his magical realist novel The Yiddish Policemen's Union (see the NYT article for more details).

I especially liked "On Daemons & Dust", where Chabon discusses Philip Pullman's His Dark Materials trilogy with great insight (it's a trilogy I have mixed feelings about and was happy to read a thoughtful analysis of - I acknowledge the greatness of its inventions, particularly daemons and the alethiometer, but the third book was venomously anti-Christian and spoiled my enjoyment of the series). I was also drawn in by the final essay "Golems I Have Known, or, Why My Elder Son's Middle Name is Napoleon" where Chabon mixes truth and fiction and ties the themes of the book together.

One tiny quibble: this is the librarian in me speaking, but I am a little sad there's no index to help me re-find some of the many authors and books he mentions in passing.

Chabon's love of literature shines through clearly, and those who want a good introduction to his work should check out his 2001 Pulitzer novel, The Amazing Adventures of Kavalier & Clay or his most recent book, Telegraph Avenue. For more great essays on reading and literature, I highly recommend Francis Spufford's The Child That Books Built.

Quotable:

"A mind is not blown, in spite of whatever Hollywood seems to teach, merely by action sequences, things exploding, thrilling planetscapes, wild bursts of speed. Those are all good things; but a mind is blown when something that you always feared but knew to be impossible turns out to be true; when the world turns out to be far vaster, far more marvelous or malevolent than you ever dreamed; when you get proof that everything in connected to everything else, that everything you know is wrong, that you are both the center of the universe and a tiny speck sailing of its nethermost edge." - 94

"The mass synthesis, marketing, and distribution of versions and simulacra of an artificial past, perfected over the last thirty years or so, has ruined the reputation and driven a fatal stake through the heart of nostalgia. Those of us who cannot make it from one end of the street to another without being momentarily upended by some fragment of outmoded typography, curve of chrome fender, or whiff of lavender oil from the pate of a semi-retired neighbor are compelled by the disrepute into which nostalgia has fallen to mourn secretly the passing of a million marvelous quotidian things." - 135